48 Hrs 1982 x264 AC3-WAF

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48 Hrs 1982 x264 AC3-WAF
  • Release date: 8 Dec 1982
  • Release year: 1982
  • Runtime: 96 minutes
  • Country: United States
  • Keywords: criminal, villain, murder of a police officer, bar fight, neo noir, police station, violence, tough cop, shootout, psychopath
  • Budget: $12,000,000
Plot Storyline
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him in order to track down a killer.
Billy Bear helps his partner-in-crime, Albert Ganz, who was convicted of armed robbery, escape from a road gang. A couple of days after Ganz's escape, on a Saturday morning, Ganz and Billy find and kill one of their partners, Henry Wong, in San Francisco, leaving him on a park bench. Ganz and Billy also kidnap Rosalie, the girlfriend of Luther, one of their two living partners-in-crime, and they tell Luther that they'll release Rosalie if he brings them the money that a man named Reggie hid. That same morning, Jack Cates, an alcoholic cop in San Francisco, reports for duty, and responds to the Walden Hotel with Detectives Algren and VanZant. A man named G. P. Polson, who claimed that a teenager with a switchblade mugged him and took off on a motorcycle. Algren and VanZant believe that the mugger rented a room at the hotel under Polson's name. At the hotel, they find that the man who rented the room is Ganz. Ganz warns Billy that the cops are there, so Billy kills VanZant, and Ganz kills Algren, leaving Jack angry, and wanting Ganz and Billy to pay for what they did. After Jack gets a lead concerning Reggie Hammond, Ganz and Billy's only other living partner besides Luther, Jack's boss, Haden, reluctantly lets him pursue it alone. Reggie has 6 months to go on a three year sentence for armed robbery. Jack gets Reggie a 48 hour furlough from prison, hoping that Reggie will know how to find Ganz and Billy. It's a chaotic 48 hours as Reggie takes Jack from one place to another, throughout the city, in search of clues, getting into several scrapes with others, and with each other, along the way. Jack thinks that Ganz escaped from prison because he's after something, and it's clear that Jack and Reggie don't exactly get along with each other. Will they be able to co-exist well enough to find Ganz and Billy?

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ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 1.37 GB
Duration: 01:36:36
Overall Bit Rate: 2 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 720p
Resolution: 1280 x 720 (720p/HD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.4 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD 5.1
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.