A.Civil.Action.1999.MULTI.Full.DVD.MPEG2.AC3 (Préjudice)

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A.Civil.Action.1999.MULTI.Full.DVD.MPEG2.AC3 (Préjudice)
  • Release date: 8 Jan 1999
  • Release year: 1998
  • Runtime: 115 minutes
  • Country: United States
  • Keywords: toxic waste, lawyer, law firm, massachusetts, lawsuit, riches to rags, 1980s, woburn massachusetts, lawsuit settlement, loss of child
  • Budget: $75,000,000
Plot Storyline
At the risk of bankrupting his firm and career, lawyer Jan Schlichtman takes on a case involving two companies responsible for causing children to be diagnosed with leukemia due to the town's contaminated water supply.
Jan Schlichtmann is a successful lawyer whose practically his own entrepreneur. He's a humble bachelor with a nice car, a nice house, and a career that has amassed huge rewards. Not to mention being the founder and practice of the lucrative law firm he runs with his Boston partners, all in a case's settlement. However, when the families of deceased children sue a giant food conglomerate, with the accusation of their companies are responsible for poisoning their children and afflicting them fatally with cancer. Jan comes to the rescue, thinking it's one more case he can easily knock out of the park and make a fortune, as well as a name for he and his firm. With a class action lawsuit to file, Jan willingly puts himself and his firm as representatives of those families. However, it's one case that could ruin Jan: his pride, his ambition, and ultimately, his career. As the pressures of the case begin to take their turn on both the prosecution, the defense, as well as the families, Jan is about to realize that he has taken on the biggest case of his life, and there is a price to pay.

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A.Civil.Action.1999.MULTI.Full.DVD.MPEG2.AC3 (Préjudice)

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Media Information

ⓘ Description Mar 5, 2026

General

Format: ISO
Overall Bit Rate: 5.7 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-2
Codec: MPEG-2?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 4.4 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.

Audio Streams

Audio Stream 1 DD 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 5.1 ITA
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD 5.1 SPA
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

VobSub