A Man Could Get Killed (1966) Melina Mercouri Eng

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A Man Could Get Killed (1966) Melina Mercouri Eng
  • Release date: 4 Apr 1966
  • Release year: 1966
  • Runtime: 97 minutes
  • Country: United States
  • Keywords: espionage, lisbon portugal, lie, coincidence, jealousy, false accusation, double crossing after more double crossing, bonds, diamond search, looking from reward
Plot Storyline
In Lisbon, an American businessman is mistaken for a British agent with hilarious consequences.
An American businessman who is mistaken by everybody for a super-secret British agent on the trail of smuggled diamonds. When supposedly his liaison at the British Embassy meets him at the Lisbon airport, the car intended for him is blown up. No matter how much he protests, all of which are accepted as cover for his actual mission, he is then transported into a world of scheming, dangerous, underworld characters.

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Torrent Contents Size: 901.41 MB

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ⓘ Description Feb 27, 2026

General

Format: AVI
Duration: 01:40:08

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Video Stream 1 1080p
Resolution: 720 x 3202 (1080p/FHD)
Bit Rate: 1.1 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Aspect Ratio: 2.20:1 70mm?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
2.25:1
Black bars top & bottom on a 16:9 screen
4:3
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1.85:1
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2.39:1

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Audio Stream 1 MP3 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.