An Enemy to Die For 2012 720p BRRip x264 aac vice

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Added 14 years ago by vicerock in Movies - Highres Movies
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An Enemy to Die For 2012 720p BRRip x264 aac vice
  • Release date: 16 Mar 2012
  • Release year: 2012
  • Runtime: 106 minutes
  • Country: Sweden, Germany, Norway
  • Keywords: multilingual, world, ship, arctic, world war two, year 1939, scientific expedition
Plot Storyline
A German expedition with a international crew is in the remote Arctic ice when the 2nd world war starts, and they are commanded to take active part in the war. Soon they find themselves in a fight of life and death.
A German expedition is going to the Norwegian arctic islands of Svaldbard in late August 1939 (back then called Spitsbergen), trying to find proof of the theory that all land on Earth 300 million years ago was connected, before the land broke up into the continents we know today. Just days after arriving in the icy waters, the tense European pre-war situation gets more tense, when Germany then invades Poland, and the second world war starts. The expedition is German, and so is a couple of others, but the captain of the ship is Norwegian, and they also bring a Russian crew, and a Swede and a couple of Brits, one of them is even a Jew. Waiting to be contacted by their respective governments, since they now are all part of a German expedition in wartime, they continue their mission of finding proof of the German Alfred Wegener's theory of Pangaea. The German government is then commanding them to commit a military operation to help sink a British war ship with 1200 soldiers, and ending the expeditions main goal. They are in a situation on a small ship from which they can't escape.

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Media Information

ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 2.18 GB
Duration: 01:00:00
Overall Bit Rate: 2.9 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 720p
Resolution: 1280 x 544 (720p/HD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 24 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 2.35:1 Scope?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
2.39:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 AAC 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: AAC?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 AAC 5.1 SWE
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: AAC?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.