Argo 2012 1080p BluRay AVC DTS-HD MA 5 1-PublicHD

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Argo 2012 1080p BluRay AVC DTS-HD MA 5 1-PublicHD
  • Release date: 12 Oct 2012
  • Release year: 2012
  • Runtime: 120 minutes
  • Country: United Kingdom, United States
  • Keywords: islamic revolution, based on true story, hostage, u.s. embassy, escape, exfiltration, year 1979, american propaganda, iran, 1970s
  • Budget: $44,500,000
Plot Storyline
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
In late 1979, anti-American sentiments are running high in Iran due to the US harboring the ailing former Shah of Iran, who the US put into place in the 1950s, and who many Iranians saw as causing much hardship and death for residents over his close to thirty year reign, solely for his and his family's own benefit. In November, Iranian militants, working under the name of its new leader, the Ayatollah Khomeini, are able to break through the secured perimeter of the US Embassy in Tehran. The fifty plus embassy staff are able to burn or shred most of their documents before they are taken hostage. What the Iranians are unaware of is that six embassy staff members escaped just prior to the raid, and managed to take refuge in the home of the Canadian ambassador, Ken Taylor, and his wife, Pat. Fast forward two months... The situation has not changed, and the State Department has brought in the services of the CIA, both to free the hostages and extricate the six in hiding. Tony Mendez with the CIA is the lead consultant on the six. Although many, in his mind, implausible plans are hatched to extricate the six, Tony eventually comes up with what some others believe is an implausible plan: have the six, under Canadian passports, pretend to be a film crew in Iran scouting for locations, with Tony part of that film crew to lead the six out himself. On the advice of Tony's Hollywood advisors, make-up artist John Chambers and producer Lester Siegel, Tony's plan not only has to fool the Iranians to work, it has to fool the entire world, who need to believe that this film is actually in pre-production. Beyond the need to get past the militants, especially at Tehran Airport where they are vigilant about capturing any Americans trying to escape, the plan has many obstacles to success, including: the six, who need to get up to speed basically overnight on their cover stories, some who predetermine certain failure, which if does happen means torturous death; competing priorities in Washington between the six and the fifty plus hostages; the Taylors' Iranian housekeeper, Sahar, who comes to the realization that the Taylors' supposed Canadian house guests are not who they say they are; and a mug shot book of embassy staff among the shredded materials, which Iranian sweat shop workers are tasked with putting back together, and which if achieved would identify the fact that the militants are minus six people from among their hostages.

Available in versions:
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Torrent Contents Size: 36.3 GB

Argo 2012 1080p BluRay AVC DTS-HD MA 5 1-PublicHD
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Torrent hash:
Audio Quality
0/10
Video Quality
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Media Information

ⓘ Description Feb 27, 2026

General

Format: BLURAY
File Size: 29.41 GB
Duration: 02:00:22
Overall Bit Rate: 35 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 22.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 DTS-HD MA 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 3.7 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 5.1 FRE
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD 5.1 CHI
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4 DD 5.1 SPA
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 5 DD 5.1 POR
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 6 DD 5.1 THA
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 7 DD 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG PGS
FRE PGS
CHI PGS
KOR PGS
SPA PGS
POR PGS
CHI PGS
CHI PGS
THA PGS
CHI PGS
KOR PGS
ENG PGS
SPA PGS
POR PGS
CHI PGS
THA PGS
ENG PGS
ENG
FRE
CHI
KOR
SPA
POR
THA