Barton Fink (1991)(CZ)[1080p]

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Barton Fink (1991)(CZ)[1080p]
  • Release date: 21 Aug 1991
  • Release year: 1991
  • Runtime: 116 minutes
  • Country: United Kingdom, United States
  • Keywords: film industry, 1940s, screenwriter as protagonist, dark comedy, fan, writer's block, magical realism, absurdism, surrealism, beach
  • Budget: $9,000,000
Plot Storyline
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
The film opens in New York City during the year 1941. Barton Fink is a novice Jewish-American playwright, who has just had his first great success at the Broadway stage. He wrote a play about the struggles and aspirations of common fishmongers. He aspires to write more plays about the lives of the working class, as he finds them more interesting than the kings and the aristocracy. His agent instead convinces him to sign a lucrative screenwriting contract with Capitol Pictures, a Los Angeles-based film studio. Fink settles into the life of a hack writer, though he is not truly suited for the job. His first assignment is to work on the script of a B-Movie about wrestling, though he does not even know the basics about this form of entertainment. Fink becomes a long-term resident of the Hotel Earle, a decaying relic of the art deco era. Feeling lonely, Fink befriends his next door-neighbor, the insurance salesman Charlie Meadows. He views Meadows as a typical working stiff, but he likes sharing drinks with him. Fink seeks writing advice from the experienced novelist and screenwriter W. P. Mayhew, but soon realizes that the man is an abusive alcoholic whose career has declined. Fink finds a love interest in Audrey Taylor, Mayhew's personal secretary, long-term mistress, and the ghost writer behind most of Mayhews' recent works. After Taylor is murdered in Fink's bedroom, a traumatized Fink becomes increasingly emotionally dependent on Meadows. Shortly after, two police detectives inform Fink that Meadows is actually wanted serial killer Karl Mundt, who typically decapitates his victims. Fink slowly realizes Meadows' hidden agenda, while finding himself out of favor with his boss at the film studio.

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Barton Fink (1991)(CZ)[1080p]

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Media Information

ⓘ Description Feb 28, 2026

General

Format: MKV
File Size: 3.48 GB
Duration: 01:56:00
Overall Bit Rate: 4.3 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 1040 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 4 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 1.85:1 Flat?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 DD 2.0 CZE
Channels: 2 channels?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 256 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.