Batman vs Robin (2015) 1080p BDRip x265 AAC 5 1 Goki
- Movie: Batman vs. Robin
- Detected quality: 1080p (BluRay, x265)
- IMDb link: 4324274
- IMDb rating: 7.1 (28,656 votes) Search
- Genres: Action, Adventure, Sci-Fi, Thriller, Crime, Drama, Fantasy, Animation, Family
- Director: Jay Oliva
- Cast: Stuart Allan, Troy Baker, Kevin Conroy, Trevor Devall and others
- Release date: 14 Apr 2015
- Release year: 2015
- Runtime: 80 minutes
- Country: United States
- Keywords: talon character, superhero, based on comic book, father son relationship, shared universe, batman character, bruce wayne character, robin character, damian wayne character, gotham city
Plot
Storyline
While Damian Wayne struggles to cope with Batman's no-killing rule, he soon starts to believe that his destiny lies within a secret society known as, The Court of Owls.
Damian Wayne is having a hard time coping with his father's "no killing" rule. Meanwhile, Gotham is going through trouble with threats, such as the insane toy maker and the secretive Court of Owls.
Torrent Contents Size: 1.5 GB
Description
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Location
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| udp://tracker.cyberia.is:6969/announce |
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Torrent hash:
Media Information
ⓘ Description
Feb 27, 2026
General
Format:
MKV
File Size:
1.5 GB
Duration:
01:20:00
Overall Bit Rate:
2.7 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
HEVC
1080p
10-bit
Resolution:
1920 x 1080 (1080p/FHD)
Codec:
HEVC (H.265)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
1.7 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
23.976 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 10-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit
Video Stream 2
H.264
1080p
Resolution:
1920 x 1080 (1080p/FHD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Frame Rate:
23.976 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 8-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
8-bit — Standard color depth with 16.7 million colors.
8-bit — Standard color depth with 16.7 million colors.
Audio Streams
Audio Stream 1
AAC
5.1
ENG
Channels:
6 channelsAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
AACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DD
2.0
ENG
Commentary
Channels:
2 channelsAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary by DCE Creative Director of Animation Mike Carlin, director Jay Oliva and producer James Tucker
Audio Stream 3
DTS-HD MA
5.1
ENG
Channels:
6 channelsAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
DTS-HD Master AudioAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
4 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Subtitles
ENG
PGS
FRE
PGS
GER
PGS
JPN
PGS
KOR
PGS
SPA
PGS
SPA
PGS
JPN
PGS
KOR
PGS
ENG
PGS
SDH
FRE
PGS
GER
PGS
SDH
JPN
PGS
KOR
PGS
SPA
PGS
Castilian
SPA
PGS
Latin American
JPN
PGS
Commentary by DCE Creative Director of Animation Mike Carlin, director Jay Oliva and producer James Tucker
KOR
PGS
Commentary by DCE Creative Director of Animation Mike Carlin, director Jay Oliva and producer James Tucker
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