Ça va barder_1955_John Berry_PARENTE

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Ça va barder_1955_John Berry_PARENTE
  • Release date: 29 Mar 1955
  • Release year: 1955
  • Runtime: 90 minutes
  • Country: France, Italy
  • Keywords: french noir, man in a bathtub, woman slaps a man, shipping, security agent, con man, ambulance, reference to lemmy caution, escape out a window, corpse with eyes open
Plot Storyline
A con man (Eddie Constantine) is approached by a shipping magnate to become one of his security agents.
During the 1950s, in Portuguese Mozambique, small-time American hustler, ex-soldier, ex-boxer and adventurer Johnny Jordan is looking for a new gig. His opportunity comes in the form of a local shipping tycoon and importer Moreno who offers Johnny a job after Johnny saves Moreno from an armed mugger on the waterfront. Impressed with Johnny's fighting skills in fending off the armed mugger and with his apparent honesty, Moreno offers him the job of security agent and investigator. More specific, Moreno suspects that someone in his organization is skimming the company funds and also high-jacking some of his cargo before his ships arrive in the port of Puerto Negro for unloading. Moreno wants Johnny to investigate and find the culprit. Johnny accepts the job, checks himself in a hotel and starts digging for evidence. First, he meets with an old flame of his, Gina, who married local gangster and night-club owner Diego, after waiting for a whole year for Johnny's return from his escapades. Gina still loves Johnny but is afraid of her husband's wrath. Johnny suspects that Diego may have a hand in the high-jacking of Moreno's cargo. But Johnny also suspects one of Moreno's managers, Sammy Kern. However, Sammy Kern is assassinated by someone who tries to set Johnny up in order to make it look like Johnny was Sammy's killer. The police arrests Johnny and tries to pin Sammy's murder on him but Johnny escapes police custody. On the lam, Johnny continues to investigate to find who steals his boss' cargo and also to find Sammy's killer in order to clear himself with the police. But someone is really determined to stop Johnny from finding out the truth even if it means killing Johnny.

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480p

Torrent Contents Size: 1.37 GB

Ça va barder_1955_John Berry_PARENTE

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ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 1.37 GB
Duration: 01:33:00
Overall Bit Rate: 2.1 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 SD
Resolution: 640 x 480 (480p/SD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 4:3?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
4:3
Black bars on the sides on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 DD 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.