Colt Ford ft Jake Owen - Back (2012 CnW)

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Colt Ford ft Jake Owen - Back (2012 CnW)
  • Release date: 15 Oct 2011
  • Release year: 2011
  • Runtime: 20 minutes
  • Country: Colombia
Plot:
A Colombian ex-mobster named Ezequiel is released from a 3-year jail sentence, much to the surprise of his wife, Amparo. After sensing an oddness about his home, he goes in search of some emeralds that some shady people asked him to keep safe in his home. When he finds them missing from their strategic hiding place, he begins his quest to retrieve them, coming face-to-face with betrayal, menace and the shadows of his dangerous past.

Available in versions:
480p

Torrent Contents Size: 118.81 MB

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Media Information

ⓘ Description Feb 27, 2026

General

Overall Bit Rate: 4 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-4 1080p
Resolution: 1920 x 1076 (1080p/FHD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 3.8 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 AAC 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: AAC?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 44.1 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.