Cool World [1992, USA, sci-fi, comedy, Animated, DVD5]

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Cool World [1992, USA, sci-fi, comedy, Animated, DVD5]
  • Release date: 10 Jul 1992
  • Release year: 1992
  • Runtime: 102 minutes
  • Country: United States
  • Keywords: cartoonist, manipulation, seduction, las vegas nevada, cartoon reality crossover, nightclub, anthropomorphism, transformation, teleportation, police officer
  • Budget: $30,000,000
Plot Storyline
When Jack Deebs was behind bars he found escape by creating Cool World, a cartoon series featuring a vixen named Holli Would. However, the flesh proves weaker than ink as Holli takes human form in Las Vegas.
When ex-con cartoonist Jack Deebs (Gabriel Byrne) was behind bars, he found escape by creating Cool World, a cartoon series featuring a voluptuous vixen named Holli Would. But the cartoonist becomes a prisoner of his own fantasies when Holli pulls Jack into Cool World with a scheme to seduce him and bring herself to life. A hard-boiled detective (Brad Pitt) - the only other human in Cool World - cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons). However, the flesh proves weaker than ink as Holli takes human form (Kim Basinger) in Las Vegas, starting a trans-universal chase that threatens the destruction of both worlds. With a splashy mix of animation and live-action sequences, Cool World delivers the hottest action around.

Available in versions:
1080p 720p 480p

Torrent Contents Size: 4.28 GB

Cool World [1992, USA, sci-fi, comedy, Animated, DVD5]
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12 KB
VIDEO_TS.IFO
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VTS_01_0.BUP
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VTS_01_0.IFO
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VTS_01_0.VOB
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VTS_01_1.VOB
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VTS_01_2.VOB
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VTS_01_3.VOB
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VTS_01_4.VOB
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VTS_01_5.VOB
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316.04 MB

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Media Information

ⓘ Description Jul 23, 2026

General

File Size: 4.28 GB
Duration: 01:41:34
Overall Bit Rate: 9.8 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-2 SD
Resolution: 720 x 480 (480p/SD)
Codec: MPEG-2?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 8.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 DD 5.1 RUS
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.