Coraje.el.perro.cobarde.S04E10.2002.720p-Dual-Lat
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Courage the Cowardly Dog: S4E10 (1999 — 2002) Ended
Goat Pain
- Original name: Courage the Cowardly Dog
- Type: Scripted
- IMDb link: 0220880
- IMDb rating: 8.3 (58,272 votes) Search
- Created by: John R. Dilworth
- Production: Cartoon Network, Cartoon Network Productions, Stretch Films
- Tagline: Stupid dog. You make me look bad.
- Networks: Cartoon Network
- Country: US
- Language: English
- Schedule: Fridays at 04:00
Episode description:
Muriel's back starts to hurt, so Eustace takes her to Dr. Vindaloo because she can't make him any food in that condition. He tells them they must go to a top of Mount Nowhere, where a hot spring is located in order to heal her. Courage, Muriel, and Eustace head up toward the mountain. On top lives a goat, who has been neglected by humans, trashing his habitat, and draining up the spring. Eventually, he was the only one left, and now, he chases people off the island by hitting them with his horns. After the goat tells his story, he makes Muriel and Courage hold up gigantic rocks for torture. Courage then accidentally re-opens the hot spring and he cleans up the garbage. The goat and Muriel return to normal health by relaxing in the spring.
Torrent Contents Size: 239.54 MB
| Coraje.el.perro.cobarde.S04E10.2002.720p-Dual-Lat.mkv |
MKV
|
239.54 MB
|
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Torrent hash:
Media Information
✓ Analyzed
Aug 31, 2026
General
Format:
MKV
File Size:
239.54 MB
Duration:
00:22:42
Overall Bit Rate:
1.5 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
H.264
720p
Resolution:
1280 x 720 (720p/HD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
1.2 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
29.97 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 8-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
8-bit — Standard color depth with 16.7 million colors.
8-bit — Standard color depth with 16.7 million colors.
Audio Streams
Audio Stream 1
DD+
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
128 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DD+
2.0
SPA
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
128 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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