Counter-Attack - aka One Against Seven [1945 - USA] WWII

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Counter-Attack - aka One Against Seven [1945 - USA] WWII
  • Release date: 26 Apr 1945
  • Release year: 1945
  • Runtime: 90 minutes
  • Country: United States
  • Keywords: factory, battle of wits, year 1942, german occupied russia, underground bridge, damsel in distress, held at gunpoint, baltic paratrooper, mongolian partisan, confinement
Plot Storyline
During WW2, a Mexican stand-off ensues between a group of German soldiers and a team of Soviet fighters trapped together in the basement of a bombed-out Russian building.
This drama centers on a Red Army officer (Paul Muni), a Russian woman (Lisa Elenko), and seven German soldiers who have been trapped in the ruined cellar of a bombed out factory in a German-controlled town. While waiting for someone to rescue them, the two Russians try to keep the Germans away. Eventually the Russian officer begins toying with a German officer, and vice versa, as both seek to extract information from the other. The Russian lets on that his troops are planning to construct a tunnel beneath the river. The woman is appalled at this betrayal of information, but her companion reassures her that he can kill the enemy before they have time to share that information, but first they need to get rescued. As time slowly passes, the tension increases, especially when the Soviet begins to fall asleep. The film was made during the brief period after WW II when Russia and the U.S. were allies and the political overtones of the film were unintentional. Later, with the advent of the Cold War, many of the actors who participated in this film were called before the House Un-American Activities Committee, accused of being Communist sympathizers, and some were blacklisted.

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Torrent Contents Size: 791.43 MB

Counter-Attack - aka One Against Seven [1945 - USA] WWII

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ⓘ Description Feb 27, 2026

General

Format: AVI

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 720 x 540 (576p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 953 kbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 MP3
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 64 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD ENG
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.