Dark Phoenix 2019 INTERNAL REPACK HDR 2160p WEB H265-DEFLATE DUA

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Dark Phoenix 2019 INTERNAL REPACK HDR 2160p WEB H265-DEFLATE DUA
  • Release date: 7 Jun 2019
  • Release year: 2019
  • Runtime: 113 minutes
  • Country: United States
  • Keywords: 1990s, x men, year 1975, year 1992, mind control, soldier, machine gun, fugitive, train derailment, shot to death
  • Budget: $200,000,000
Plot Storyline
Jean Grey begins to develop incredible powers that corrupt and turn her into a Dark Phoenix, causing the X-Men to have to decide if her life is worth more than all of humanity.
Almost one long and peaceful decade after the nearly disastrous events in X-Men: Apocalypse (2016), Professor Charles Xavier's X-Men enjoy a mutually beneficial pact with the humans, undertaking increasingly dangerous missions as the Earth's valiant protectors. However, during a risky NASA crisis in 1992, Jean Grey is imbued with an unfathomable cosmic force--and even though she should be dead--this inexhaustible but uncontrollable energy enhances her already formidable abilities, transforming her into an all-powerful being. More and more, Jean's otherworldly powers become unpredictable and destructive, posing a direct threat not only to herself and her companions but also to the entire world. Is humankind prepared for the rise of the Dark Phoenix?

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ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 20.1 GB
Duration: 01:53:54
Overall Bit Rate: 25.3 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 HEVC 4K
Resolution: 3840 x 1608 (4K/UHD)
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 24.2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD+ ENG
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital Plus (E-AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD POR
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 25.3 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD POR
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 384 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.