Dial 1119 _1950_Gerald Mayer_PARENTE_Noir

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Dial 1119 _1950_Gerald Mayer_PARENTE_Noir
  • Release date: 3 Nov 1950
  • Release year: 1950
  • Runtime: 75 minutes
  • Country: United States
  • Keywords: escaped psychiatric patient, bus station, bus, hostage, bar, police detective, television broadcasting, urban setting, one night timespan, alcoholism
  • Budget: $473,000
Plot Storyline
An escaped psychiatric patient causes havoc.
Chuckles and Skip, whose wife is in labor at the hospital, are tending at the Oasis Bar in Terminal City this evening, their current customers being: Freddy, the local barfly and floozy, who wants some excitement in her men; grizzled newspaper reporter Harry Barnes, who is lamenting the sorry state of his career which has gone nowhere; Helen and Earl, the former a proverbial good girl who in her loneliness is planning on running off with the latter, a slightly older and more experienced car salesman, for the weekend, those plans about which Helen had lied to her mother with who she still lives; and the quiet young man at the end of the bar. What none of the others yet knows is that that quiet man is Gunther Wyckoff, who was sentenced to life at a mental hospital for the criminally insane three years ago for his compulsion to kill, he who has just escaped and has returned to Terminal City on a mission. When it is made public that dangerous Wyckoff has not only escaped but has already killed one person in Terminal City in his return, he feels he has no other option but to hold everyone in the bar hostage and barricade them all inside. While a standoff of sorts also occurs outside in the situation among the police, specifically between Captain Henry Keiver, who is leading the operation to apprehend Wyckoff and save the hostages, and police psychologist Dr. John Faron, whose testimony three years ago led to Wyckoff being sent to the hospital rather than to the proverbial electric chair, the hostages try to negotiate with Wyckoff to let them go, each whose approach is tainted by his or her own personal situation. They all are working under a deadline as Wyckoff has threatened to start killing the hostages if he doesn't get what he wants.

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Torrent Contents Size: 985.54 MB

Dial 1119 _1950_Gerald Mayer_PARENTE_Noir

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ⓘ Description Feb 27, 2026

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Format: AVI
File Size: 985 MB
Duration: 01:14:00
Overall Bit Rate: 1.8 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 640 x 480 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.7 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 4:3?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
4:3
Black bars on the sides on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 MP3 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.