Fast and Furious COLLECTION 2001-2021 2160p Bluray REMUX HEVC-MIXED [RiCK]

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Added 4 years ago by riick in Movies - Highres Movies
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Fast and Furious COLLECTION 2001-2021 2160p Bluray REMUX HEVC-MIXED [RiCK]
  • Language: French
  • Release date: 22 Jun 2001
  • Release year: 2001
  • Runtime: 106 minutes
  • Country: United States, Germany
  • Keywords: illegal street racing, robbery, street racing, undercover, truck, hijacking, undercover cop, fast and furious franchise, thong, cleavage
  • Budget: $38,000,000
Plot Storyline
Los Angeles police officer Brian O'Conner must decide where his loyalty really lies when he becomes enamored with the street racing world he has been sent undercover to destroy.
LA street racer Dominic Toretto (Vin Diesel) falls under the suspicion of the LAPD for a string of high-speed electronics truck robberies. Brian O'Connor (Paul Walker) an officer of the LAPD, joins the ranks of Toretto's highly skilled racing crew undercover to convict Toretto. However, O'Connor finds himself both enamored with this new world and in love with Toretto's sister, Mia (Jordana Brewster) As a rival racing crew gains strength, O'Connor must decide where his loyalties lie.

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Audio Quality
0/10
Video Quality
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Media Information

ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 51.1 GB
Duration: 01:46:00
Overall Bit Rate: 68.5 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 HEVC 4K 10-bit
Resolution: 3840 x 2160 (4K/UHD)
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 64 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 10-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit
Video Stream 2 HEVC 4K 10-bit
Resolution: 3840 x 2160 (4K/UHD)
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 62.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 10-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit
Video Stream 3 HEVC 4K 10-bit
Resolution: 3840 x 2160 (4K/UHD)
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 55.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 10-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit

Audio Streams

Audio Stream 1 DTS-HD MA 7.1 ENG
Channels: 8 channels?Audio Channels7.1 Surround — seven speakers plus a subwoofer. The most immersive home theater setup, with dedicated rear channels.
FLCFR👤SLSRBLBRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 2.0 ENG Commentary
Channels: 2 channels?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note: Commentary by director Rob Cohen
Audio Stream 3 DTS-HD MA 7.1 ENG
Channels: 8 channels?Audio Channels7.1 Surround — seven speakers plus a subwoofer. The most immersive home theater setup, with dedicated rear channels.
FLCFR👤SLSRBLBRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4.2 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4 DTS-HD MA 7.1 ENG
Channels: 8 channels?Audio Channels7.1 Surround — seven speakers plus a subwoofer. The most immersive home theater setup, with dedicated rear channels.
FLCFR👤SLSRBLBRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4.1 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG PGS English (SDH)
FRE PGS French
JPN PGS Japanese
POR PGS Portuguese (Brazilian)
SPA PGS Spanish (Latin American)
ENG PGS English (Commentary)
JPN PGS Japanese (Commentary)
POR PGS Portuguese (Brazilian) (Commentary)
SPA PGS Spanish (Latin American) (Commentary)
ENG PGS SDH
FRE PGS
JPN PGS
POR PGS Brazilian
SPA PGS Latin American
ENG PGS Commentary by director John Singleton
JPN PGS Commentary by director John Singleton
POR PGS Commentary by director John Singleton - Brazilian
SPA PGS Commentary by director John Singleton - Latin American
ENG PGS English (SDH)
FRE PGS French
SPA PGS Spanish (Latin American)