FCA! 35 Tour: An Evening With Peter Frampton [2012, Rock, BDRip 720p]
![FCA! 35 Tour: An Evening With Peter Frampton [2012, Rock, BDRip 720p]](/upload_files/resize_cache/torrents-imdb-posters/0ee/174_260_2/0eeaf1a42dd3b2b9549d4c6ab04c4f84.jpg "FCA! 35 Tour: An Evening With Peter Frampton [2012, Rock, BDRip 720p]")
- Movie: FCA!35 Tour: An Evening with Peter Frampton
- Detected quality: 720p (BluRay)
- IMDb link: 2803978
- IMDb rating: 7.8 (18 votes) Search
- Genres: Music
- Director: Peter Frampton, Francois Lamoureux, Pierre Lamoureux
- Release date: 13 Nov 2012
- Release year: 2012
- Runtime: 189 minutes
- Country: United States
- Budget: $300,000
Plot:
Grammy-winning guitarist Peter Frampton celebrated the 35th anniversary of his seminal live album 'Frampton Comes Alive!' with a tour in 2011 and again with select dates in 2012. Now the legendary musician will document those shows with the release of 'FCA. 35 Tour: An Evening With Peter Frampton,' which is slated to arrive on DVD, Blu-ray and CD on Nov. 13 via Eagle Rock Entertainment.Released in 1976, the double album 'Frampton Comes Alive!' catapulted the former Humble Pie guitarist from a modest solo career to one of the the best-selling artists in the world, in the process essentially re-defining what was possible in terms of record sales and promotion in the 1970s. The album launched three all-time classic rock staples in 'Show Me the Way,' 'Do You Feel Like We Do' and 'Baby, I Love Your Way.'
Torrent Contents Size: 12 GB
Description
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Torrent hash:
Media Information
ⓘ Description
Aug 27, 2026
General
Format:
MKV
File Size:
12 GB
Duration:
02:46:36
Overall Bit Rate:
7 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
H.264
720p
Resolution:
1280 x 720 (720p/HD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
4 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
23.976 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 8-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
8-bit — Standard color depth with 16.7 million colors.
8-bit — Standard color depth with 16.7 million colors.
Audio Streams
Audio Stream 1
FLAC
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
FLACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.5 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DTS
5.1
ENG
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.5 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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