Guess.Whos.Coming.to.Dinner.1967.COMPLETE.UHD.BLURAY-SURCODE (Devine qui vient dîner)
- Movie: Guess Who's Coming to Dinner
- Detected quality: 4K (BluRay)
- IMDb link: 0061735
- IMDb rating: 7.8 (52,888 votes) Search
- Genres: Comedy, Drama
- Director: Sidney Poitier, Stanley Kramer
- Cast: Spencer Tracy, Katharine Hepburn, Katharine Houghton and others
- Release date: 12 Dec 1967
- Release year: 1967
- Runtime: 108 minutes
- Country: United States
- Keywords: racism, interracial marriage, doctor, miscegenation, social commentary, father daughter relationship, father son relationship, one day timespan, prejudice, hypocrisy
- Budget: $4,000,000
Plot
Storyline
A White couple's attitudes are challenged when their daughter introduces them to her Black fiance.
After a vacation in Hawaii, Joanna "Joey" Drayton returns to her parents' home in San Francisco bringing her fiance, the highly-qualified Dr. John Prentice, to introduce him to her parents. Her mother, Christina Drayton, owns an art gallery and her father, Matt Drayton, is the publisher-editor of the newspaper, The Guardian. Joey was raised with a liberal education and intends to marry Dr. John Prentice, a Black widower who needs to fly to Geneva that evening to work with the World Health Organization. Joey invites John's parents to have dinner with her family and the couple flies from Los Angeles to San Francisco without knowing that Joey is white. Christina also invites the liberal Monsignor Ryan, who is a friend of her family. Throughout the day and evening, the families discuss the problems of their son and daughter.
Torrent Contents Size: 79.26 GB
| GUESS_WHOS_COMING_TO_DINNER.ISO |
ISO
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79.26 GB
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Location
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Torrent hash:
Media Information
ⓘ Description
Mar 5, 2026
General
Format:
ISO
File Size:
103.7 MB
Overall Bit Rate:
77.2 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
HEVC
Codec:
HEVC (H.265)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
64.6 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Audio Streams
Audio Stream 1
7.1
ENG
Channels:
7.1 SurroundAudio Channels7.1 Surround — seven speakers plus a subwoofer. The most immersive home theater setup, with dedicated rear channels.
FLCFR👤SLSRBLBRSUB
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
4.2 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DTS
5.1
ENG
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
2.1 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3
DTS
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.6 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4
DTS
2.0
GER
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.6 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 5
DTS
2.0
ITA
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.6 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 6
DTS
2.0
SPA
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.6 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Subtitles
ENG
PGS
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