How to Build a Dinosaur 2011 1080p WEBRip x264-CBFM

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How to Build a Dinosaur 2011 1080p WEBRip x264-CBFM
  • Release date: 21 Sep 2011
  • Release year: 2011
  • Runtime: 53 minutes
  • Country: United Kingdom
  • Keywords: the color black, the color ginger, airbrush, scapula, ostrich, jawbone, camarasaurus, fossil bone, fruitadens, tyrannosaurus rex
Plot:
A new exhibit at the Los Angeles Natural History Museum will feature three T. Rex skeletons of various ages and sizes. Follow along as scientists tease out clues to how these animals probably looked and behaved despite an abundance of missing pieces.

Available in versions:
1080p

Description

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Media Information

ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 4.33 GB
Overall Bit Rate: 10.4 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 10.3 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 AAC 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: AAC?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.