Inside MMA 2012 04 30 HDTV x264-RUDOS mp4
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Episode
Episode description:
Quinton "Rampage" Jackson joins Kenny Rice and Bas Rutten in studio to discuss the end of his UFC career and the controversy surrounding his recent online videos. Also on the panel, UFC welterweight Mike Pyle and President of Maximum Fighting Championship, Mark Pavelich, to help preview the upcoming UFC and MFC cards. Ron Kruck has the latest on Alistair Overeem.
Available in versions:
480p
480p
Torrent Contents Size: 444.2 MB
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Description
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Location
Trackers
| Tracker name |
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| udp://tracker.coppersurfer.tk:6969/announce |
| udp://9.rarbg.me:2850/announce |
| udp://9.rarbg.to:2920/announce |
| udp://tracker.opentrackr.org:1337 |
| udp://tracker.leechers-paradise.org:6969/announce |
Torrent hash:
Media Information
ⓘ Description
Feb 27, 2026
General
Format:
MP4
File Size:
444 MB
Video Streams
Video Stream 1
H.264
SD
Resolution:
704 x 400 (480p/SD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
939 kbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
29.97 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Audio Streams
Audio Stream 1
AAC
Channels:
—Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec:
AACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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