Inside Out 3D BluRay 1080p48 x264 AAC5.1/2.0
- Movie: 2.0
- Detected quality: 1080p (BluRay, 3D, x264)
- IMDb link: 5080556
- IMDb rating: 6 (30,574 votes) Search
- Genres: Action, Sci-Fi, Thriller, Fantasy
- Director: S. Shankar
- Cast: Rajinikanth, Akshay Kumar, Amy Jackson, Adil Hussain and others
- Release date: 29 Nov 2018
- Release year: 2018
- Runtime: 148 minutes
- Country: India
- Keywords: mobile radiation, cell phone, crow, scientist, dual role, tower, robot sci fi, sequel, robot, feather
- Budget: $5,700,000,000
Plot
Storyline
A brilliant scientist must reactivate his decommissioned robot to face off against a deadly winged creature threatening the city.
8 years after Chitti was dismantled due to destruction he caused. Vaseegaran has created new human robot Nila which can understand human feelings better. The cell phones in the city start to disappear from everywhere. A creature in the form of bird creates havoc in the city causing destruction. Vaseegaran believes it to be the fifth element force and decides to get Chitti back in action. When Vaseegaran traces the location of missing cellphones with help of Chitti and Nila he finds that its not the fifth force but a human force done by late professor Pakshi Rajan.
Torrent Contents Size: 7.2 GB
| (3D) Inside Out.mkv |
MKV
|
7.2 GB
|
Description
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Location
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Torrent hash:
Media Information
ⓘ Description
Feb 27, 2026
General
Format:
MKV
File Size:
7.23 GB
Duration:
01:34:00
Overall Bit Rate:
10.9 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
H.264
1080p
Resolution:
1920 x 1080 (1080p/FHD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
10.4 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
47.952 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 8-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
8-bit — Standard color depth with 16.7 million colors.
8-bit — Standard color depth with 16.7 million colors.
Audio Streams
Audio Stream 1
AAC
7.1
ENG
Channels:
8 channelsAudio Channels7.1 Surround — seven speakers plus a subwoofer. The most immersive home theater setup, with dedicated rear channels.
FLCFR👤SLSRBLBRSUB
Codec:
AACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
400 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
AAC
2.0
ENG
Channels:
2 channelsAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
AACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
105 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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