Iris - Live in Moscow, 2010 [2011, Synthpop, HDCam]
- Movie: Iris
- Detected quality: 1080p (CAM)
- IMDb link: 1431713
- IMDb rating: 7.1 (41 votes) Search
- Genres: Thriller, Short
- Director: Maya Anand
- Cast: Laurie Kennedy, Edwin McDonough, Pedro Pascal and others
- Release date: 30 Apr 2009
- Release year: 2009
- Runtime: 15 minutes
- Country: United States
- Budget: $20,000
Available in versions:
1080p
1080p
Torrent Contents Size: 9.61 GB
| iris_live_2010.ac3 |
AC3
|
200.13 MB
|
|
| iris_live_2010.avi |
AVI
|
9.42 GB
|
Description
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Location
Trackers
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|---|
| http://bt4.t-ru.org/ann?magnet |
| http://bt2.t-ru.org/ann |
| http://bt3.t-ru.org/ann |
| http://bt4.t-ru.org/ann |
| udp://tracker.opentrackr.org:1337 |
| udp://open.stealth.si:80/announce |
| udp://tracker.torrent.eu.org:451/announce |
| udp://exodus.desync.com:6969 |
| udp://open.demonii.com:1337/announce |
| udp://tracker.coppersurfer.tk:6969 |
| udp://p4p.arenabg.com:1337 |
| udp://tracker.internetwarriors.net:1337 |
Torrent hash:
Media Information
ⓘ Description
Jul 24, 2026
General
Format:
AVI
File Size:
9.42 GB
Duration:
01:00:00
Overall Bit Rate:
21.6 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
H.264
1080p
Resolution:
1920 x 1080 (1080p/FHD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
20 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
25 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
DD
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
PCM
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
PCMAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.5 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3
DD
5.1
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.