Jimi Hendrix - Hear My Train A Comin' [2013, Rock, Documentary, Blu-ray]

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Jimi Hendrix - Hear My Train A Comin' [2013, Rock, Documentary, Blu-ray]

Torrent Contents Size: 33.67 GB

Jimi Hendrix - Hear My Train A Comin' [2013, Rock, Documentary, Blu-ray]
BDMV
BACKUP
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Description

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Location

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Tracker name
http://bt.t-ru.org/ann?magnet
http://bt1.t-ru.org/ann
http://bt2.t-ru.org/ann
http://bt4.t-ru.org/ann
udp://tracker.opentrackr.org:1337
udp://open.stealth.si:80/announce
udp://tracker.torrent.eu.org:451/announce
udp://exodus.desync.com:6969
udp://open.demonii.com:1337/announce
udp://tracker.coppersurfer.tk:6969
udp://p4p.arenabg.com:1337
udp://tracker.internetwarriors.net:1337
Torrent hash:
Audio Quality
0/10
Video Quality
0/10

Media Information

ⓘ Description Aug 30, 2026

General

Format: BLURAY
File Size: 488.59 MB
Duration: 01:56:54
Overall Bit Rate: 23.4 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 19.8 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Video Stream 2 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 16 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Video Stream 3 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 18 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Video Stream 4 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 18 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Video Stream 5 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 20 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 PCM 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: PCM?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 2.3 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DTS-HD MA 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 3.8 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DTS-HD MA 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4.4 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4 DTS-HD MA 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4.8 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG PGS
FRE PGS
SPA PGS
DUT PGS