Judgment at Nuremberg 1961 PAL Hun DVD9-Jethro

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Judgment at Nuremberg 1961 PAL Hun DVD9-Jethro
  • Release date: 18 Dec 1961
  • Release year: 1961
  • Runtime: 179 minutes
  • Country: United States
  • Keywords: war crimes trial, nuremberg germany, nuremberg trials, nazi war criminal, judge, nazi, war crime, courtroom drama, war criminal, nazi germany
  • Budget: $3,000,000
Plot Storyline
Fictionalized depiction of the 1947 Judges' Trial, the third of 12 trials of Nazi war criminals conducted by the American occupying forces in Nuremberg, Germany, in which former judges of Nazi Germany were tried for their actions.
In 1948 Nuremberg, Germany, the American military is holding a post-WWII tribunal on the activities of individuals within the Nazi Party leading up to and during the war. Dan Haywood is the lead judge in a three-man judiciary in one of those trials, where four men who were involved in judicial matters are the defendants. The general issues surrounding these four is whether they are guilty of international crimes or if they were just carrying out the laws of their national government, especially as they did not run or operate concentration camps for example, or purportedly know about what was happening to anyone they sentenced to life at those concentration camps. Of the four on trial, the largest question mark surrounds Dr. Ernst Janning, a globally-renowned judge. Haywood, not being well-traveled outside of the US, tries to get to know life in Germany, both then and now, to get a better perspective of the discussions at the trial, and he befriends a Mrs. Bertholt as that conduit into German life. The counsel for the prosecution is led by Col. Tad Lawson, who wants to win at any cost, which includes trotting out the emotional aspects of the genocide at the concentration camps at whatever opportunity, regardless of if it actually applies to the defendants. The counsel for the defense is led by Hans Rolfe, who sees the proceedings as German self-determination on trial. Problems on both sides are getting the German public affected to talk about and thus testify about this emotionally-traumatizing period of their past. But another issue in the background of this trial is the current Communist aggression, most specifically in Eastern Europe, and the Americans' need for German support in quashing this aggression, support which would be difficult to obtain if the Americans are putting Germans behind bars.

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Judgment at Nuremberg 1961 PAL Hun DVD9-Jethro
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jet-jan.iso
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jet-jan.nfo
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jet-jan.sfv
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ⓘ Description Feb 27, 2026

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Video Streams

Video Stream 1 DVD9, PAL, 1.66:1
Codec: DVD9, PAL, 1.66:1?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
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Audio Streams

Audio Stream 1 DD ENG
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
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Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 256 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD HUN
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
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Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD FRE
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 256 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4 DD ITA
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 256 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 5 DD GER
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 2 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.