King S01E05 Farah Elliott WS XviD-err0001

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King S01E05 Farah Elliott WS XviD-err0001
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King: S1E5 (2011 — 2012)
Ended

Farah Elliot
15 MAY 2011Drama, Crime43 min
season
Episode
  • Networks: Showcase
  • Country: CA
  • Language: English
  • Schedule: Fridays at 21:00
Episode description:
Jess King is aghast when she discovers her nemesis, Seymour Keegan, a vicious serial predator, is back in town and targeting a new victim. Jess knows Seymour killed a teen girl five years ago but she didn't have enough evidence to convict. Jess tries and fails to trap her Moby Dick in a sting, but when she turns up nothing but circumstantial evidence, Graci takes Jess off the case. Or so he thinks. Jess goes rogue and tracks Seymour on her own using her team and some questionable tactics. Seymour loves the attention, and that’s when Jess makes the connection - he's a clinical narcissist and he’s taunting her. When another girl goes missing, Jess must rein in her obsession in order to save her before it's too late.
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Torrent Contents Size: 324.8 MB

King S01E05 Farah Elliott WS XviD-err0001

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ⓘ Description Feb 27, 2026

General

Format: AVI
File Size: 324.8 MB

Video Streams

Video Stream 1 MPEG-4
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 910 kbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 109 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.