[LbE3L] DARK MOON. THE BLOOD ALTAR S01E01-E12

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Added 2 weeks ago by DHT in TV - Episodes SD
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[LbE3L] DARK MOON. THE BLOOD ALTAR S01E01-E12
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DARK MOON: THE BLOOD ALTAR: Season 1 Complete (2026)
Ended

10 JAN 2026Romance, Fantasy, Animation30 min
season
  • Original name: DARK MOON -黒の月: 月の祭壇-
  • Type: Scripted
  • IMDb link: 38646055
  • IMDb rating: 6.1 (844 votes) Search
  • Created by: HYBE
In the seaside city of Riverfield stands Decelis Academy, home to seven mysterious boys sharing the same secret: They're vampires, hiding their murky pasts. When Sooha, a female student who hates vampires, transfers to the academy, the boys find themselves irresistibly drawn to her. As strange events shake the city, old sins and buried secrets resurface, and their world begins to fracture.
Available in versions:
480p

Torrent Contents Size: 4.29 GB

[LbE3L] DARK MOON. THE BLOOD ALTAR S01E01-E12

Location

Trackers

Tracker name
udp://tracker.publictracker.xyz:6969/announce
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http://bt1.archive.org:6969/announce
http://bt2.archive.org:6969/announce
Torrent hash:
Audio Quality
0/10
Video Quality
0/10

Media Information

✓ Analyzed Aug 20, 2026

General

Format: MKV
File Size: 464.63 MB
Duration: 00:23:40
Overall Bit Rate: 2.7 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 AV1 1080p 10-bit
Resolution: 1920 x 1080 (1080p/FHD)
Codec: AV1?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 10-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit
Video Stream 2 AV1 1080p 10-bit
Resolution: 1920 x 1080 (1080p/FHD)
Codec: AV1?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 10-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit

Audio Streams

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Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
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Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
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Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 3 Opus 2.0 GER
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
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LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
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Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 6 Opus 2.0 HIN
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 7 Opus 2.0 POR
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 8 Opus 2.0 TAM
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 9 Opus 2.0 TEL
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 10 Opus 2.0 JPN
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 11 Opus 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 12 Opus 2.0 GER
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 13 Opus 2.0 SPA
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 14 Opus 2.0 FRE
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 15 Opus 2.0 HIN
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 16 Opus 2.0 POR
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 17 Opus 2.0 TAM
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
Audio Stream 18 Opus 2.0 TEL
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Opus?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:

Subtitles

ENG ASS/SSA Forced English [Forced]
ENG ASS/SSA English
ENG SRT English [CC]
ARA ASS/SSA Arabic – العربية
GER ASS/SSA Forced German – Deutsch [Forced]
GER ASS/SSA German – Deutsch
GER SRT German – Deutsch [CC]
SPA ASS/SSA Forced Spanish – Español (LA) [Forced]
SPA ASS/SSA Spanish – Español (LA)
SPA SRT Spanish – Español (LA) [CC]
SPA ASS/SSA Spanish – Castellano
FRE ASS/SSA Forced French – Français (FR) [Forced]
FRE ASS/SSA French – Français (FR)
FRE SRT French – Français (FR) [CC]
IND ASS/SSA Indonesian – Bahasa Indonesia
ITA ASS/SSA Italian – Italiano
MAY ASS/SSA Malay – Bahasa Melayu
POR ASS/SSA Forced Portuguese – Português (BR) [Forced]
POR ASS/SSA Portuguese – Português (BR)
POR SRT Portuguese – Português (BR) [CC]
RUS ASS/SSA Russian – Русский
THA ASS/SSA Thai – ไทย
VIE ASS/SSA Vietnamese – Tiếng Việt
CHI ASS/SSA Chinese – 简体中文
CHI ASS/SSA Chinese – 繁體中文
ENG ASS/SSA Forced English [Forced]
ENG ASS/SSA English
ENG SRT English [CC]
ARA ASS/SSA Arabic – العربية
GER ASS/SSA Forced German – Deutsch [Forced]
GER ASS/SSA German – Deutsch
GER SRT German – Deutsch [CC]
SPA ASS/SSA Forced Spanish – Español (LA) [Forced]
SPA ASS/SSA Spanish – Español (LA)
SPA SRT Spanish – Español (LA) [CC]
SPA ASS/SSA Spanish – Castellano
FRE ASS/SSA Forced French – Français (FR) [Forced]
FRE ASS/SSA French – Français (FR)
FRE SRT French – Français (FR) [CC]
IND ASS/SSA Indonesian – Bahasa Indonesia
ITA ASS/SSA Italian – Italiano
MAY ASS/SSA Malay – Bahasa Melayu
POR ASS/SSA Forced Portuguese – Português (BR) [Forced]
POR ASS/SSA Portuguese – Português (BR)
POR SRT Portuguese – Português (BR) [CC]
RUS ASS/SSA Russian – Русский
THA ASS/SSA Thai – ไทย
VIE ASS/SSA Vietnamese – Tiếng Việt
CHI ASS/SSA Chinese – 简体中文
CHI ASS/SSA Chinese – 繁體中文