Making Mr. Right [1987, USA, comedy, DVD5]

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Making Mr. Right [1987, USA, comedy, DVD5]
  • Release date: 3 Apr 1987
  • Release year: 1987
  • Runtime: 98 minutes
  • Country: United States
  • Keywords: female feet, shaving legs, camera shot of feet, title directed by female, workplace romance, manipulative woman, coworker coworker relationship, using others, love, scientist
  • Budget: $9,000,000
Plot Storyline
A reclusive scientist builds a robot duplicate of himself for a space mission but struggles to program human emotions. He hires an eccentric woman to teach the android how to act like a real person.
Dr. Jeff Peters (John Malkovich) is an emotionally repressed scientist who cannot stand others because of their intellectual inferiority. He dreams of deep space exploration, which would be difficult because of the lack of human contact for long periods of time. He develops the Ulysses android (which looks exactly like him) for the purpose of space exploration, since an android would not be affected by the isolation. Frankie Stone (Ann Magnuson) is hired to do public relations for the project. She meets project manager Dr. Ramdas (Harsh Nayyar) and Jeff, who both give Frankie an overview of the Ulysses project. As a part of her job, she must get to know the android better, in order to "humanize" him for the benefit of the project's sponsors in Congress. However, in his interaction with her, the android develops emotions and develops better social skills than Jeff himself. At one point, the android impersonates Jeff in order to leave the laboratory, and stows away in Frankie's Chevrolet Corvair. After escaping, he encounters human society at a shopping mall, buys a tuxedo, goes on a date with a woman named Sandy McCleary (Laurie Metcalf) who thinks he is Jeff, reducing her to an emotional wreck, and then loses his head (literally) over Frankie's best friend Trish (Glenne Headly) who has taken refuge in Frankie's apartment after walking out on her husband who is a star on the popular daytime soap opera New Jersey. Frankie also develops feelings for the android and befriends Jeff on a lesser level. Frankie's mother Estelle Stone, (Polly Bergen) learns from Frankie's ex-boyfriend's mother that Frankie has a doctor boyfriend (Jeff) and expects Frankie to bring him to the wedding of Frankie's sister Ivy Stone. Frankie persuades Jeff to come, but Ulysses again absconds from the lab and gate-crashes the wedding. Trish's jealous TV-star husband crashes the wedding as well and gets into a fight with Ulysses. Ulysses short-circuits and crashes into the swimming pool, turning the occasion into a public relations disaster. Frankie is fired from her job and forbidden contact with Ulysses or anyone on the project. She then uses her connections with a former client and boyfriend Steve Marcus, a candidate for Congress to attend Ulysses' launch day in an attempt to say goodbye to Ulysses, but is rebuffed by Jeff and then forced to leave by Dr. Ramdas. Ulysses then gives his farewell speech, in which he bemoans humanity's difficulty in forming relationships, both platonic and romantic. However, Ulysses appears at Frankie's front door during the launch; Jeff actually presented that final speech himself, having realized his creation has become more empathic than him. As the lack of human contact of a seven-year space mission will not be a hardship for him due to asociality, Jeff decided to go into space while the android takes his place on Earth so Ulysses and Frankie (who by now are deeply in love) can be together.

Available in versions:
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Torrent Contents Size: 4.09 GB

Making Mr. Right [1987, USA, comedy, DVD5]
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Media Information

ⓘ Description Aug 7, 2026

General

File Size: 4.09 GB
Duration: 01:38:24
Overall Bit Rate: 6 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-2 SD
Resolution: 720 x 480 (480p/SD)
Codec: MPEG-2?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 5.4 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 DD 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 2.0 RUS
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG