Massive Attack - 2 clips [2010, Trip-Hop, WEBRip - .MP4, .FLV]
- Movie: Massive Attack
- Detected quality: 480p (WEBRip)
- IMDb link: 2569080
- Genres: War, Short
- Director: Gary Stubbs, Chris Greenwood
- Cast: Phil Cleary and others
- Release date: 6 Jun 2009
- Release year: 2009
- Country: United Kingdom
- Budget: $25,000
Torrent Contents Size: 135.64 MB
| Massive Attack - Flat of the blade.flv |
FLV
|
44.2 MB
|
|
| Massive Attack - Splitting The Atom (Official Video).mp4 |
MP4
|
91.44 MB
|
Description
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Location
Trackers
| Tracker name |
|---|
| http://bt4.t-ru.org/ann?magnet |
| http://bt2.t-ru.org/ann |
| http://bt3.t-ru.org/ann |
| http://bt4.t-ru.org/ann |
| udp://tracker.opentrackr.org:1337 |
| udp://open.stealth.si:80/announce |
| udp://tracker.torrent.eu.org:451/announce |
| udp://exodus.desync.com:6969 |
| udp://open.demonii.com:1337/announce |
| udp://tracker.coppersurfer.tk:6969 |
| udp://p4p.arenabg.com:1337 |
| udp://tracker.internetwarriors.net:1337 |
Torrent hash:
Media Information
ⓘ Description
Jul 26, 2026
General
Format:
MP4
File Size:
91.4 MB
Duration:
00:00:20
Overall Bit Rate:
2.4 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-4
SD
Resolution:
640 x 358 (480p/SD)
Codec:
MPEG-4Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
2.2 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
29.97 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Video Stream 2
VP6
SD
Resolution:
640 x 360 (480p/SD)
Codec:
VP6Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
1 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
25 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
AAC
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
AACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
162 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
MP3
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
MP3Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
44.1 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
128 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.