Michael W. Smith - Worship [2002, Contemporary, DVD5]
![Michael W. Smith - Worship [2002, Contemporary, DVD5]](/static/img/no-torrent-image.png "Michael W. Smith - Worship [2002, Contemporary, DVD5]")
- Movie: Ass Worship 2
- Detected quality: 480p (DVDRip)
- IMDb link: 0321303
- IMDb rating: 7.6 (44 votes) Search
- Genres: Adult
- Director: Jules Jordan
- Cast: Belladonna, Amber Michaels, Ryan Conner, Aurora Snow and others
- Release date: 27 Feb 2002
- Release year: 2002
- Country: United States
- Keywords: double anal penetration, double penetration, sex, anal sex, hardcore, oral sex, sex toy, number in title
Available in versions:
480p
480p
Torrent Contents Size: 4.36 GB
Description
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Location
Trackers
| Tracker name |
|---|
| http://bt3.t-ru.org/ann?magnet |
| http://bt2.t-ru.org/ann |
| http://bt3.t-ru.org/ann |
| http://bt4.t-ru.org/ann |
| udp://tracker.opentrackr.org:1337 |
| udp://open.stealth.si:80/announce |
| udp://tracker.torrent.eu.org:451/announce |
| udp://exodus.desync.com:6969 |
| udp://open.demonii.com:1337/announce |
| udp://tracker.coppersurfer.tk:6969 |
| udp://p4p.arenabg.com:1337 |
| udp://tracker.internetwarriors.net:1337 |
Torrent hash:
Media Information
ⓘ Description
Jul 26, 2026
General
File Size:
4.36 GB
Duration:
01:14:45
Overall Bit Rate:
8.4 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-2
SD
Resolution:
720 x 480 (480p/SD)
Codec:
MPEG-2Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
7.3 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
DD
5.1
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DD
5.1
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3
DD
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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