Na lovu / Cruising (1980)(CZ/EN)
- Movie: Cruising
- Detected quality: 480p
- IMDb link: 0080569
- IMDb rating: 6.5 (31,126 votes) Search
- Genres: Thriller, Crime, Drama, Mystery
- Director: Al Pacino, William Friedkin
- Cast: Paul Sorvino, Karen Allen, Richard Cox and others
- Release date: 15 Feb 1980
- Release year: 1980
- Runtime: 102 minutes
- Country: West Germany, United States
- Keywords: gay, gay sex, gay man, gay american, fisting, cruising, homosexual, jock strap, anal fisting, leather bar
- Budget: $11,000,000
Plot
Storyline
A police officer goes undercover in the underground S&M gay subculture of New York City to catch a serial killer who is preying on gay men.
West Village, Manhattan. A string of sadistic murders terrorises the regulars of the neighbourhood's underground S&M clubs. As a result, lured by the promise of rapid promotion, novice patrolman Steve Burns unwisely enters the shady world of an unspoken subculture. But some doors are best left closed. And with the sadistic serial killer still on the loose, Burns soon realises he has bitten off more than he can chew; in this dangerous alien underworld, ill-advised one-night stands lead to agonising death. Now, the high-stakes cat-and-mouse game threatens everything Steve holds dear, including his soul. When cruising for a killer, can one emerge unscathed?
Torrent Contents Size: 1.4 GB
Description
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Location
Trackers
| Tracker name |
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| udp://tracker.opentrackr.org:1337 |
| udp://ipv4announce.sktorrent.eu:6969/announce |
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Torrent hash:
Media Information
ⓘ Description
Feb 28, 2026
General
Format:
AVI
File Size:
1.4 GB
Duration:
01:37:00
Overall Bit Rate:
2.1 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-4
SD
Codec:
MPEG-4Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
1.5 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
25 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
2:1 UnivisiumAspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
2:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 8-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
8-bit — Standard color depth with 16.7 million colors.
8-bit — Standard color depth with 16.7 million colors.
Audio Streams
Audio Stream 1
MP3
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
MP3Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
112 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DD
5.1
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
384 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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