Pomsta hriesnice / Die Rache der Wanderhure (SK)(2012)

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Pomsta hriesnice / Die Rache der Wanderhure (SK)(2012)
  • Release date: 28 Feb 2012
  • Release year: 2012
  • Runtime: 120 minutes
  • Country: Germany, Austria, Czech Republic
  • Keywords: female nudity, female topless nudity, medieval times, 15th century, army, king, bare chested male, female rear nudity, suzerain, sword fight
Plot:
Marie and her husband Michel Adler have a happy life until Michel has to go to war against the Hussites for Konig Sigismund but does not come back. She not believe on his dead and starts her journey to find out what really happened to him.

Available in versions:
480p

Torrent Contents Size: 1.1 GB

Pomsta hriesnice / Die Rache der Wanderhure (SK)(2012)

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Media Information

ⓘ Description Feb 28, 2026

General

Format: AVI
File Size: 1.09 GB

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 640 x 352 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 MPEG_1_AUDIO_LAYER_3 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: MPEG_1_AUDIO_LAYER_3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 44 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.