Povolani: kaskader / Stunts (1977)(CZ)

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Povolani: kaskader / Stunts (1977)(CZ)
  • Release date: 1 Dec 1977
  • Release year: 1977
  • Runtime: 89 minutes
  • Country: United States
  • Keywords: adultery, male female relationship, husband wife relationship, male male relationship, independent film california, jealous husband, big hair, stuntman, motorcycle, van
  • Budget: $600,000
Plot Storyline
After a stunt man dies while he is involved in the making of a motion picture, his brother takes his place in order to find out what really happened.
An action movie is filming along the back roads and in the countryside around San Luis Obispo, it in which the actors, which includes lead actress Judy Blake, the wife of the movie's producer Alvin Blake and the daughter of Jack, one of the studio executives overseeing the production, play second fiddle to the action sequences led by the joint stunt and special effects teams. In one of the stunts gone wrong, stuntman Greg Wilson is killed, it unclear if it was an accident, Greg being ill-prepared for what even the stunt team collectively considers a difficult maneuver, or something else. In the production continuing in the old adage of "the show must go on", Alvin, behind the scenes, confides to Jack that the publicity will ultimately increase ticket sales, while director Earl O'Brien focuses more on getting the shot than on the welfare of the stunt performers, who, in his mind, if they are dead already, the cameras rolling for a few extra seconds will do nothing to save them. Called in to replace Greg is his older brother, Glen Wilson, a seasoned professional in the business, he who quit a more lucrative gig to take this one in honor of his brother. Glen and the rest of the stunt team trust each other implicitly in their knowledge of the what it takes to carry out these stunts. Coinciding with Glen's arrival on the set are two others. The first is journalist B.J. Parswell, who is writing a story spurred by Greg's death, but is centered on the question of what makes stunt people tick in light of the dangers. The second is Dave Allison, who wants to break into the stunt business, and showboats in front of anyone who will look to show he can do the stunts as good as anyone else. As the production progresses, it becomes clearer that Greg's death was sabotage, the questions especially for the stunt team of finding out who and why before more stunt people are killed.

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Povolani: kaskader / Stunts (1977)(CZ)

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Media Information

ⓘ Description Feb 28, 2026

General

Format: AVI
File Size: 1.46 GB
Duration: 01:29:00
Overall Bit Rate: 2.3 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-4 SD
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Aspect Ratio: 4:3?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
4:3
Black bars on the sides on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 MP3 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 320 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.