Predator (1987)

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Predator (1987)
  • Release date: 12 Jun 1987
  • Release year: 1987
  • Runtime: 107 minutes
  • Country: United States, Mexico
  • Keywords: jungle, commando mission, guerrilla base, hunting people, commando, military, predator, alien, hunt, prey
  • Budget: $15,000,000
Plot Storyline
A team of commandos on a mission in a Central American jungle find themselves hunted by an extraterrestrial warrior.
Major Alan "Dutch" Schaefer, a battle-hardened fighting machine assigned to locate a Central American cabinet minister and eliminate the region's scattered guerrillas, leads his hand-picked squad of elite commandos into a tangled jungle. However, little do they know that an unidentified interstellar spacecraft has landed in the same area, setting the stage for a deadly encounter. As an otherwise routine rescue mission turns into a bloodbath, ritualistically mutilated bodies scattered in the area give away a deadly certainty: someone, or better yet, something, is hunting them down for sport. With their primitive weapons no match for the unknown extraterrestrial tracker's advanced technology, does Dutch's outgunned and outmatched team stand a chance against the Predator, the ultimate hunter from the stars?

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Torrent Contents Size: 57.49 GB

Predator (1987)
Predator_1987.mkv
MKV
57.49 GB

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udp://tracker.opentrackr.org:1337/announce
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Audio Quality
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Video Quality
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Media Information

ⓘ Description Aug 4, 2026

General

Format: PGS
File Size: 44.5 GB
Duration: 01:46:00
Overall Bit Rate: 60.1 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 HEVC 4K 10-bit
Resolution: 3840 x 2160 (4K/UHD)
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 59.8 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 10-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit

Audio Streams

Audio Stream 1 DTS-HD MA 5.1 ENG
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4.5 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DTS 5.1 ENG
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 1.5 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DTS-HD MA 4.0 ENG
Channels: 4 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS-HD Master Audio?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 3.3 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4 DTS 4.0 ENG
Channels: 4 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 1.5 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 5 DD 5.1 SPA
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 6 DTS 5.1 FRE
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 768 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 7 DTS 5.1 SPA
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 768 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 8 DTS 5.1 GER
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 768 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 9 DTS 5.1 ITA
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 768 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 10 DD 5.1 CZE
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 11 DD 5.1 POL
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 12 DTS 5.1 JPN
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 768 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 13 DD 2.0 ENG
Channels: 2 channels?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 224 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG PGS
SPA PGS
FRE PGS
SPA PGS
DAN PGS
DUT PGS
FIN PGS
GER PGS
ITA PGS
NOR PGS
SWE PGS
CHI PGS
CZE PGS
CHI PGS
POL PGS
JPN PGS
FRE PGS
SPA PGS
GER PGS
ITA PGS
JPN PGS
ENG PGS
ENG PGS