R.E.M. (REM) - Accelerate [2008, Rock, DVD5]
![R.E.M. (REM) - Accelerate [2008, Rock, DVD5]](/upload_files/resize_cache/torrents-imdb-posters/293/174_260_2/2933013410f1de627fa4574cc3dfc182.jpg "R.E.M. (REM) - Accelerate [2008, Rock, DVD5]")
- Movie: R.E.M. Live
- Detected quality: 480p (DVDRip)
- IMDb link: 11482352
- IMDb rating: 7.8 (11 votes) Search
- Genres: Music
- Director: Blue Leach
- Release year: 2007
- Runtime: 105 minutes
- Country: United States
Plot:
R.E.M. Live is a live album from R.E.M., recorded at the Point Theatre, Dublin, on February 26 and 27, 2005, the closing nights of the winter European leg of the Around the World Tour in support of their thirteenth studio album Around the Sun released in late 2004. It was released in the United Kingdom on October 15, 2007 and in the United States a day later as a two-Compact Disc audio set and a DVD, then released in February 2008 as a triple vinyl set. The performance was filmed by Blue Leach the same director of Depeche Mode DVD "Touring the Angel: Live in Milan". R.E.M. Live features rare performances of "I Took Your Name" from 1994's Monster and "Ascent of Man" from Around The Sun as well as the previously unreleased "I'm Gonna DJ." A studio version of that song would later appear on the band's 2008 effort, Accelerate.
Available in versions:
480p
480p
Torrent Contents Size: 3.95 GB
Description
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Location
Trackers
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| http://bt4.t-ru.org/ann |
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Torrent hash:
Media Information
ⓘ Description
Aug 24, 2026
General
File Size:
3.7 GB
Duration:
00:49:49
Overall Bit Rate:
6.8 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-2
SD
Resolution:
720 x 480 (480p/SD)
Codec:
MPEG-2Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
5.5 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
29.97 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
MP3
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
MP3Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DD
5.1
ENG
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3
PCM
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
PCMAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
448 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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