Ray Laurent - Satanis The Devil\'s Mass (1970)
- Movie: Satanis: The Devil's Mass
- Detected quality: 480p
- IMDb link: 0063550
- IMDb rating: 5.5 (648 votes) Search
- Genres: Documentary
- Director: Ray Laurent
- Cast: Jan Miner and others
- Release date: 1 Mar 1970
- Release year: 1970
- Runtime: 86 minutes
- Country: United States
- Keywords: church of satan, black mass, satanism, female full frontal nudity, religion and spirituality documentary, disapproval, nude woman wearing a mask, concealed nudity, reference to incest, whipping
Plot
Storyline
A documentary that takes a look inside the Church of Satan, founded in San Francisco, California in the 1960s by Anton Szandor LaVey, a former circus lion tamer.
A profile of Anton LaVey and the Church of Satan that he founded in San Francisco, California in the 1960s is presented through interviews with Le Vay himself, the church's congregants (including his current (i.e., second) wife), and Christian religious leaders and people who live in the neighborhood of the church along with filmed sequences of the church's services. Even though Le Vay states indirectly that the church was created as a response to the repression of traditional Christianity, the rituals of the services are actually steeped in Christian fundamentals. Despite the use of the name "Satan" and its general implications, Le Vay also states that the church is not built on evil, but rather on embracing the sins, especially those of the flesh, that are inherent within humans, as opposed to Christianity which tries to hide and suppress them. The congregants talk about what attracted them to the church, with a small subset talking about the connection to witchcraft. Religious leaders and both John Q. and Jane Q. Public talk about what they can see of the church from the outside, including if what Le Vay has created is truly both a religion and a church. Le Vay's personal life is also discussed, including what can be seen as his eccentricities in the form of Togar, his pet lion.
Available in versions:
480p
480p
Torrent Contents Size: 350.07 MB
| Info.txt |
TXT
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1.79 KB
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| Satanis, The Devil's Mass (1970).avi |
AVI
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350.07 MB
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Description
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Location
Trackers
| Tracker name |
|---|
| udp://tracker.coppersurfer.tk:6969/announce |
| udp://9.rarbg.me:2850/announce |
| udp://9.rarbg.to:2920/announce |
| udp://tracker.opentrackr.org:1337 |
| udp://tracker.leechers-paradise.org:6969/announce |
Torrent hash:
Media Information
ⓘ Description
Feb 27, 2026
General
Format:
AVI
File Size:
350 MB
Overall Bit Rate:
562 kbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-4
SD
Resolution:
400 x 304 (480p/SD)
Codec:
MPEG-4Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
426 kbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
23.979 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
4.00:1Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
4:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
MPEG_1_AUDIO_LAYER_3
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
MPEG_1_AUDIO_LAYER_3Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
123 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
