Slozka 64 / Journal 64 (DAN)(2018)

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Slozka 64 / Journal 64 (DAN)(2018)
  • Release date: 4 Oct 2018
  • Release year: 2018
  • Runtime: 119 minutes
  • Country: Denmark, Germany
  • Keywords: female nudity, police procedural, shower, corpse, detective, investigation, year 1961, sex scene, denmark, police detective
  • Budget: $39,000,000
Plot Storyline
A series of mysterious disappearances in 2006 are eerily connected to the same institution.
Two workmen make an alarming discovery in an older Copenhagen apartment: hidden behind a false wall are three mummified corpses, sitting around a dining table with one empty seat left. The case quickly ends up on the desk of Detective Superintendent CARL MORCK and his assistant, ASSAD, and it is up to them to figure out, who the mummies are as well as who the fourth seat is meant for. Carl and Assad put all effort in to finding the tenant of the apartment and they end up finding clues tracing back to the notorious institution for 'wayward' girls on the island of Sprogo, where extreme neglect and medical experiments in forced sterilization are a part of everyday life. Even though the horrors of Sprogo are a closed chapter in Danish history, there are now people claiming the experiments have continued to go on up until today. Carl and Assad start a race against time to prevent new murders and attacks from happening.

Available in versions:
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Torrent Contents Size: 2.1 GB

Slozka 64 / Journal 64 (DAN)(2018)
Journal.64.mkv
MKV
2.1 GB
Journal.64.srt
SRT
81.2 KB

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Media Information

ⓘ Description Feb 28, 2026

General

Format: MKV
File Size: 2.06 GB
Duration: 01:53:00
Overall Bit Rate: 2.6 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 SD
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2.2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 2:1 Univisium?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
2:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.
Video Stream 2 H.264 SD
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2.2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 DD 5.1 DAN
Channels: 6 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 384 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

SWE ASS/SSA Forced
SWE ASS/SSA Forced
CZE
SWE Forced