SoundTrack 2011 Hindi Pre-DvD XviD AC3 E-SuB [xRG]

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SoundTrack 2011 Hindi Pre-DvD XviD AC3 E-SuB [xRG]
  • Release date: 7 Oct 2011
  • Release year: 2011
  • Runtime: 132 minutes
  • Country: India
  • Keywords: abuse
  • Budget: $50,000,000
Plot Storyline
Loud music, substance and alcohol abuse wreck the life and career of a talented music composer.
Arriving in Mumbai with just a backpack and a guitar, Raunak Kaul stays with his uncle who introduces him to Charlie, the owner of 'Tango Charlie' nightclub. This is where Raunak makes his start and achieves phenomenal success as a composer and DJ virtually overnight. He quickly regresses to a life of illicit drugs, smoking and alcohol. One day, he starts to go deaf. Unable to perform, he goes to see a doctor who tells him that he has lost his hearing in the right ear, while the left one is only partly functional. In order to avoid deafness, he must avoid loud music as well as try and keep off drugs, alcohol and smoking, and wear a hearing-aid. Unable to focus on his work, he alienates himself, gets into an argument, which results in an accident - taking away his hearing altogether. Depressed, refusing to communicate with anyone, he prepares a padded sound-proof room with hopes of recovering his hearing. Will be succeed in this venture, or have the abuse of drugs and alcohol made him delusional?

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Media Information

ⓘ Description Feb 27, 2026

General

Format: AVI
File Size: 895 MB
Duration: 01:54:00
Overall Bit Rate: 1.1 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 672 x 288 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 823 kbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 24 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD 5.1 HIN
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 5.1 HIN
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.