Storm Over the Pacific [1960 - Japan] Pearl Harbor attack

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Added 6 years ago by NrKNrK in Movies
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Storm Over the Pacific [1960 - Japan] Pearl Harbor attack
  • Release date: 26 Apr 1960
  • Release year: 1960
  • Runtime: 118 minutes
  • Country: Japan
  • Keywords: japan, pearl harbor hawaii, world war two
Plot:
Lt. Koji Kitami is a navigator-bombardier in Japan's Naval Air Force. He participates in the Japanese raid on the U.S. Naval Base at Pearl Harbor in 1941 and is welcomed with pride in his hometown on his return. As Japan racks up victory after victory in the Pacific War, Kitami is caught up in the emotion of the time and fights courageously for the standard of Japanese honor. But his assuredness of his government's righteousness is shaken after the Japanese navy is defeated in the debacle of Midway.

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ⓘ Description Feb 27, 2026

General

Format: MKV

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 816 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2.1 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD JPN
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.