The.Karate.Kid.Part.III.1989.COMPLETE.UHD.BLURAY-SURCODE (MULTi VFi)

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Added 1 year ago by Knroad in Movies
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The.Karate.Kid.Part.III.1989.COMPLETE.UHD.BLURAY-SURCODE (MULTi VFi)
  • Release date: 30 Jun 1989
  • Release year: 1989
  • Runtime: 112 minutes
  • Country: United States
  • Keywords: teenage boy, underdog, training, sequel, revenge, third part, villain, deception, tough guy, karate
  • Budget: $12,500,000
Plot Storyline
Ostracised villain John Kreese attempts to gain revenge on Daniel and Miyagi, with the help of a Vietnam War comrade, the wealthy owner of a toxic waste disposal business.
Bent on revenge, six months after his utter defeat in The Karate Kid (1984), John Kreese, the disgraced former instructor of Cobra Kai Dojo, reunites with Terry Silver, an old Vietnam War buddy and shady millionaire entrepreneur. In the meantime, Mr Miyagi and Daniel launch a bonsai business venture. However, evil never rests; John and Terry conspire night and day to strip the All-Valley karate champion of his title. To achieve their goal, Mike Barnes, their unscrupulous fighter, will use every trick in the book to bring LaRusso down, thirsty for fame and glory. Now standing at a crossroads, Daniel must keep his eyes peeled for wolves in sheep's clothing and remember where he started. With everything on the line, is a humiliating downfall just around the corner?

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Torrent Contents Size: 59.78 GB

The.Karate.Kid.Part.III.1989.COMPLETE.UHD.BLURAY-SURCODE (MULTi VFi)

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Media Information

ⓘ Description Mar 5, 2026

General

Format: ISO
Overall Bit Rate: 57.1 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 HEVC
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 47.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.

Audio Streams

Audio Stream 1 7.1 ENG
Channels: 7.1 Surround?Audio Channels7.1 Surround — seven speakers plus a subwoofer. The most immersive home theater setup, with dedicated rear channels.
FLCFR👤SLSRBLBRSUB
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 4.9 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DTS 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 2.2 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DTS 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 1.6 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4 DD 2.0 GER
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 5 DD 2.0 ITA
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 6 DD 2.0 SPA
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG PGS