The Prisoner 1967-1968 Complete Series Subs English+Nordic

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Added 13 years ago by External VIP Uploader Iznogoud9 in TV - Big Season Packs
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The Prisoner 1967-1968 Complete Series Subs English+Nordic
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29 SEP 1967Drama, Mystery, Sci-Fi60 min
season
  • Tagline: No man is just a number.
  • Networks: ITV, ITV1
  • Country: GB
  • Language: English
  • Schedule: Sundays at 20:00
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.
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Torrent Contents Size: 7.75 GB

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ⓘ Description Feb 27, 2026

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Format: MKV
File Size: 430 MB

Video Streams

Video Stream 1 H.264 SD
Resolution: 720 x 544 (576p/SD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.1 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 4:3?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
4:3
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4:3
16:9
1.85:1
2:1
2.39:1

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Audio Stream 1 AAC 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: AAC?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.