The Red House 1947
- Movie: The Red House
- Detected quality: 480p
- IMDb link: 0039757
- IMDb rating: 6.7 (5,661 votes) Search
- Genres: Thriller, Drama, Mystery, Film-Noir
- Director: Delmer Daves
- Cast: Edward G. Robinson, Lon McCallister, Judith Anderson, Rory Calhoun and others
- Release date: 4 Jul 1947
- Release year: 1947
- Runtime: 100 minutes
- Country: United States
- Keywords: woods, abandoned house, family secret, red house, reliving the past, farming community, rural setting, spooky house, mysterious forest, dark family secret
Plot
Storyline
An old man and his sister are concealing a terrible secret from their adopted teen daughter, concerning a hidden abandoned farmhouse, located deep in the woods.
Siblings Pete and Ellen Morgan lead a relatively secluded life as self-sufficient farmers with their quiet adopted teenage daughter, high-school senior Meg Morgan, on their property in rural Piney Ridge; their farm is on the other side of Oxhead Woods, away from town and from all the other farms. Ellen and Meg are able to convince Pete, who has a peg leg and thus can't do as much as he used to, to hire Meg's most trusted classmate, Nath Storm, the son of the long-widowed storekeeper, to help out at the farm after school, although Pete is reluctant to have a stranger around on a consistent basis. Nath accepts the job despite the rampant gossip that abounds in the valley about the mysterious Morgans, especially in they not being a "traditional" family: the unknown nature of how Pete and Ellen came to adopt Meg, and why spinster Ellen has devoted her life to Pete when she and Dr. Jonathan Byrne were once sweet on each other. The job might not sit well with Nath's steady girlfriend, possessive Tibby Rinton. Pete cautions Nath not to take the more direct route through the unfamiliar and implied dangerous woods to get home, those dangers including the "screams" he would inevitably hear and the red house hidden somewhere deep within. Pete fails to mention his arrangement regarding the woods with an uneducated young man named Teller who has his own designs on Tibby. The lure of the woods is too strong for both Nath and Meg, whose interest is spurred by Nath's and by her interest in Nath himself. The two believe that discovering the woods' secrets will only happen when they find the red house--at Pete and Ellen's peril, especially the peril to Pete's sanity.
Description
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Location
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Torrent hash:
Media Information
ⓘ Description
Feb 27, 2026
General
Format:
AVI
File Size:
1.15 GB
Duration:
01:00:00
Overall Bit Rate:
1.6 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-4
SD
Resolution:
640 x 480 (480p/SD)
Codec:
MPEG-4Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
1.5 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
29.97 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
4.00:1Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
4:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
MP3
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
MP3Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
44.1 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
128 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
