The Searchers [John Ford] (1956)

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The Searchers [John Ford] (1956)
  • Release date: 26 May 1956
  • Release year: 1956
  • Runtime: 119 minutes
  • Country: United States
  • Keywords: revenge, ambush, grief, abducted by indians, massacre, jealousy, wedding fight, civil war veteran, native american, fight
  • Budget: $3,750,000
Plot Storyline
An American Civil War veteran embarks on a years-long journey to rescue his niece from the Comanches after the rest of his brother's family is massacred in a raid on their Texas farm.
To that of his brother Aaron and his immediate family, Ethan Edwards has finally returned "home" to west Texas, three years after the end of the Civil War, the reason for his initial absence. Where he has been in the intervening time is unspoken, indication, from his newly pressed gold coins and a medal, being that he has been a soldier of fortune fighting in Mexico. When cattle have been poached from the neighboring Jorgensen ranch, Captain Samuel Clayton of the Texas Rangers, he also the area ordained preacher, leads a band of deputized men for the sole purpose of locating and bringing to justice the perpetrators, Ethan who accompanies them, however unwilling to be deputized in his continuing allegiance to the Confederacy. It isn't until it is too late that they come to the realization that the poaching was a ploy by the Comanches to lure the men away, the true targets being human ones at either the Jorgensen and/or Edwards ranches in retaliation. They return to find that the entire Edwards family and the home has been wiped out, with the indication that Aaron and his wife Martha's two daughters, teenage Lucy and adolescent Debbie, have been abducted. Out of circumstance, Ethan is in it for the long haul to locate his two nieces, the only other person in that same position, much to Ethan's chagrin, being Martin Pawley, who Aaron and Martha long ago unofficially adopted and whose position Ethan does not like not only in not truly being a blood relation but acting as if he is so, but being one-eighth native (Cherokee), people that Ethan abhors, especially the Comanches. In Ethan and Martin's absence, their primary touchstone to home are the Jorgensens, especially for Martin in he and the Jorgensens' daughter, Laurie, long having been in love, with their differences in how they express or don't express that love jeopardizing their relationship. The longer it takes for Ethan and Martin to locate Lucy and Debbie, the more their mission may diverge in Ethan prioritizing between his commitment to blood, and his hatred for the Comanches, who he would like to decimate.

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ⓘ Description Feb 27, 2026

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Format: AVI
File Size: 1.79 GB
Duration: 01:53:56
Overall Bit Rate: 2.2 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

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Video Stream 1 MPEG-4 SD
Resolution: 720 x 404 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
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Bit Rate: 1.8 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
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1.85:1
2:1
2.39:1

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Audio Stream 1 DD 2.1 SPA
Channels: 3 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
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Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
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Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 384 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.