The Thing (1982) Arrow (1080p RM4K BluRay x265 10bit EAC3 4.1 Ghost) [QxR]
seeders: 28
leechers: 12
updated: 42 minutes ago
![The Thing (1982) Arrow (1080p RM4K BluRay x265 10bit EAC3 4.1 Ghost) [QxR]](/upload_files/resize_cache/torrents-imdb-posters/dd8/174_260_2/dd88d9eaf56e476a152b1988b9f9baba.jpg "The Thing (1982) Arrow (1080p RM4K BluRay x265 10bit EAC3 4.1 Ghost) [QxR]")
- Movie: The Thing
- Detected quality: 1080p (BluRay, 10-bit, x265)
- IMDb link: 0084787
- IMDb rating: 8.2 (529,187 votes) Search
- Genres: Sci-Fi, Horror, Mystery
- Director: John Carpenter
- Cast: Kurt Russell, Wilford Brimley, Keith David, T.K. Carter, David Clennon and others
- Release date: 25 Jun 1982
- Release year: 1982
- Runtime: 109 minutes
- Country: United States
- Keywords: isolation, antarctica, paranoia, alien creature, shapeshifting, alien life form, ambiguous ending, body horror, cult film, research station
- Budget: $15,000,000
Plot
Storyline
A research team in Antarctica is hunted by a shape-shifting alien that assumes the appearance of its victims.
In the midst of the Antartican snowfield, the scientists and workers of a small American research base are shocked when a helicopter begins to circle their camp, chasing and shooting at a dog. When the helicopter is destroyed and the passengers are killed, the dog is let into the base and the Americans begin to wonder what has actually happened. The helicopter has Norwegian markings, must be from the Norwegian base not too far from their own. A team of Americans are sent to the Norwegian base and find out what has happened. On arrival, they find that the place has been totally destroyed. They also discover a mangled body that looks as though it was once that of a person, which they bring back with them for further study. It is only then that the clues begin to add up; the dog morphs horribly into a strange creature that attacks the researchers. They manage to fight it off, but they come to a terrible conclusion: an alien with the power to transform and take the appearance of anybody else is amongst them. Who is infected already, and who can be trusted? Helicopter pilot R.J. MacReady sets out to find the answers to exactly that.
Torrent Contents Size: 21.9 GB
Description
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Location
Trackers
| Tracker name |
|---|
| udp://tracker.opentrackr.org:1337/announce |
| udp://www.torrent.eu.org:451/announce |
| udp://tracker.torrent.eu.org:451/announce |
| udp://open.tracker.cl:1337/announce |
| udp://explodie.org:6969/announce |
| udp://tracker.opentrackr.org:1337/announce |
| http://tracker.openbittorrent.com:80/announce |
| udp://opentracker.i2p.rocks:6969/announce |
| udp://tracker.internetwarriors.net:1337/announce |
| udp://tracker.leechers-paradise.org:6969/announce |
| udp://coppersurfer.tk:6969/announce |
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Torrent hash:
Media Information
✓ Analyzed
Dec 24, 2025
General
Format:
MKV
File Size:
6.69 GB
Duration:
01:48:38
Overall Bit Rate:
8.8 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
HEVC
1080p
10-bit
Resolution:
1920 x 816 (1080p/FHD)
Codec:
HEVC (H.265)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
6 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
23.976 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
2.35:1 ScopeAspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
2.39:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 10-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
10-bit — Over 1 billion colors, producing smoother gradients in skies and shadows vs. 16 million in 8-bit.
8-bit
10-bit
Audio Streams
Audio Stream 1
DD+
5.0
ENG
Channels:
5.0 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
640 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DD+
5.1
ENG
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
640 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3
DD+
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
256 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4
DD+
2.0
ENG
Commentary
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
256 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary w/director John Carpenter & actor Kurt Russell
Audio Stream 5
DD+
2.0
ENG
Commentary
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
256 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary w/director of photography Dean Cundey
Audio Stream 6
DD+
2.0
ENG
Commentary
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
256 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary w/co-producer Stuart Cohen
Audio Stream 7
DD
2.0
ENG
Commentary
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary w/podcasters Mike White (The Projection Booth), Patrick Bromley (F! This Movie) & El Goro (Talk Without Rhythm)
Audio Stream 8
DD+
2.0
ENG
Commentary
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital Plus (E-AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
256 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary w/Todd Cameron (Outpost31.com)
Subtitles
ENG
SRT
SRT
ENG
PGS
PGS
ENG
SRT
SDH SRT
ENG
PGS
SDH PGS
CHI
PGS
Traditional
DAN
PGS
GER
PGS
SPA
PGS
Castilian
SPA
PGS
Latin America
FIN
PGS
FRE
PGS
ITA
PGS
JPN
PGS
KOR
PGS
DUT
PGS
NOR
PGS
POR
PGS
Iberia
SWE
PGS
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