The.Words.2012.MULTi.1080p.WEB.H265-TyHD

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The.Words.2012.MULTi.1080p.WEB.H265-TyHD
  • Release date: 7 Sep 2012
  • Release year: 2012
  • Runtime: 102 minutes
  • Country: United States
  • Keywords: white male black female relationship, interracial relationship, story within a story, writer, book, narrator, plagiarism, psychological drama, suspense mystery, reading a book
  • Budget: $6,000,000
Plot Storyline
A writer at the peak of his literary success discovers the steep price he must pay for stealing another man's work.
Three linked stories about writers are presented. The first writer is middle aged Clayton Hammond, who, at a reading of excerpts from his latest book titled "The Words", is picked up by a young grad student named Daniella. In succumbing to her advances, he has to figure out if her motives in pursuing him are about him or something about the subject matter of his book. The second writer is Rory Jansen, the subject of Clay's book. After years of struggling as a writer, Rory garnered acclaim and success as a writer upon the publication of his first book, "The Window Tears". That success allowed Rory to publish subsequent books written before he submitted "The Window Tears", those subsequent books which are deemed not as good as too esoteric and internal. The issue is that Rory's success is based on a lie, which neither his publisher or his adoring wife, Dora, know: he did not write "The Window Tears", it a manuscript he found in a secret compartment in a old briefcase Dora bought for him in a Paris second-hand store. Rory was able to rationalize to himself the reason for taking the work as his own. The third writer is the actual writer of the manuscript that Rory stole. That man was an American soldier stationed in Paris during WWII. It was one of his platoon-mates who got him hooked on literature. But it was a personal tragedy in his life with his French wife, Celia, and their daughter in post-WWII Paris that led to the emotions that allowed him to write the story, which was and is so personal to him because of it.

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The.Words.2012.MULTi.1080p.WEB.H265-TyHD

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Media Information

ⓘ Description Mar 5, 2026

General

Format: MKV
Overall Bit Rate: 2.8 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 HEVC 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: HEVC (H.265)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.5 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.

Audio Streams

Audio Stream 1 DD+ 5.1
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital Plus (E-AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD+ 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital Plus (E-AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.