Three O'Clock High [1987, USA, comedy, DVD9]

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Three O'Clock High [1987, USA, comedy, DVD9]
  • Release date: 9 Oct 1987
  • Release year: 1987
  • Runtime: 101 minutes
  • Country: United States
  • Keywords: brother sister relationship, psychopath, courage, juvenile delinquent, panic, restroom, teenage protagonist, unlikely hero, high school, clock
  • Budget: $6,000,000
Plot Storyline
Mild-mannered Jerry Mitchell gets into hot water with quiet bad boy Buddy Revell, who challenges Jerry to a fight on the grounds of their high school after the school day's end.
The nerd Jerry Mitchell is responsible for the student store at the Weaver High-School. When the troublemaker delinquent Buddy Revell is transferred from a continuation high-school, one teacher assigns Jerry to write an article about the notorious Buddy Revell to the school newspaper. Jerry stumbles upon Buddy in the bathroom and touches the shoulder of the bad boy that schedules a fight with Jerry at three o'clock at the parking lot. Along the day, Jerry tries to find a means to avoid the fight.

Available in versions:
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Torrent Contents Size: 5.84 GB

Three O'Clock High [1987, USA, comedy, DVD9]
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VTS_04_1.VOB
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Audio Quality
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Video Quality
0/10

Media Information

ⓘ Description Jul 27, 2026

General

File Size: 5.84 GB
Duration: 01:25:54
Overall Bit Rate: 9.7 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-2 SD
Resolution: 720 x 576 (576p/SD)
Codec: MPEG-2?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 8.4 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 DD 5.1 RUS
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 2.0 ENG
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3 DD 2.0 RUS
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ENG