Uctivaci temnot / The Calling (2000)(CZ)
- Movie: The Calling
- Detected quality: 480p
- IMDb link: 0218067
- IMDb rating: 4.4 (2,186 votes) Search
- Genres: Horror, Thriller
- Director: Richard Caesar
- Cast: Laura Harris, Richard Lintern, Francis Magee, Alex Roe and others
- Release date: 21 Dec 2000
- Release year: 2000
- Runtime: 89 minutes
- Country: United Kingdom, Germany
- Keywords: body lands on a car, boy in jeopardy, mother murders her son, murder of son, close up of eye, close up of eyes, female nudity, female topless nudity, antichrist, wedding
Plot
Storyline
A woman is used as a pawn to bring to fruition the rule of the Antichrist.
On her wedding night, a young woman conceives a child during a hallucinatory encounter. Several years later, as her friends and family begin to behave strangely, she pieces together clues that lead to one conclusion, her son is the Antichrist.
Available in versions:
480p
480p
Torrent Contents Size: 1.1 GB
| Uctívači temnot.avi |
AVI
|
1.1 GB
|
Description
Location
Trackers
| Tracker name |
|---|
| udp://tracker.opentrackr.org:1337 |
| udp://ipv4announce.sktorrent.eu:6969/announce |
| udp://tracker.coppersurfer.tk:6969 |
| udp://tracker.leechers-paradise.org:6969 |
| udp://tracker.zer0day.to:1337 |
| udp://9.rarbg.com:2710/announce |
| udp://explodie.org:6969/announce |
| udp://tracker1.wasabii.com.tw:6969/announce |
| udp://tracker.torrent.eu.org:451/announce |
| udp://tracker.cypherpunks.ru:6969/announce |
| udp://p4p.arenabg.com:1337/announce |
Torrent hash:
Media Information
ⓘ Description
Feb 28, 2026
General
Format:
MPEG
File Size:
1.08 GB
Duration:
01:00:00
Overall Bit Rate:
1.8 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
MPEG-4
SD
Resolution:
704 x 384 (480p/SD)
Codec:
MPEG-4Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
1.4 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
25 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio:
1.85:1 FlatAspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format:
4:2:0 8-bitPixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.
8-bit — Standard color depth with 16.7 million colors.
8-bit — Standard color depth with 16.7 million colors.
Audio Streams
Audio Stream 1
DD
2.0
ITA
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
MP3
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
MP3Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
