Wanted Down Under S13E07 WEB h264-WEBTUBE
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Episode description:
Gareth Todd is ready to move to Australia as soon as possible, but it is all proving too much for his wife Jodi. In a bid to reach agreement, a trial week in Australia shows the family the properties, work opportunities and lifestyle on offer. But could it simply force them further apart?
Available in versions:
480p
480p
Torrent Contents Size: 974.97 MB
| RARBG.txt |
TXT
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30 B
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| Wanted.Down.Under.S13E07.WEB.h264-WEBTUBE.mkv |
MKV
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974.97 MB
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| wanted.down.under.s13e07.web.h264-webtube.nfo |
NFO
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1.28 KB
|
Description
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Location
Trackers
| Tracker name |
|---|
| http://tracker.trackerfix.com:80/announce |
| udp://9.rarbg.me:2710/announce |
| udp://9.rarbg.to:2710/announce |
Torrent hash:
Media Information
ⓘ Description
Feb 27, 2026
General
Format:
MKV
File Size:
50 MB
Video Streams
Video Stream 1
H.264
4K
Resolution:
960 x 5402 (4K/UHD)
Codec:
H.264 (AVC)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
799 kbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate:
50 fpsFrame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Audio Streams
Audio Stream 1
AAC
2.0
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
AACAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
2 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
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