Harriet Craig

Harriet Craig (Joan Crawford) is a neurotic, manipulative, and controlling perfectionist. She is obsessed with maintaining her ideal of perfection in the appearance of her home, her social life, and herself. She seems to believe that those around her exist only to fulfill her ideal life. Achieving this goal makes life miserable for everyone around her. Harriet shares her home with her loving husband Walter (Wendell Corey), her orphaned and grateful cousin Clare (K.T. Stevens), and two maids - one (Viola Roache) of whom has worked at the house since Walter was a child. Harriet and Walter do not have any children as Harriet has told Walter that she is unable to conceive. Before marrying Walter and becoming the "lady" of his family's home, Harriet had a difficult life which included a philandering father. This caused her to be hateful and distrustful of men. Harriet is rude to the two maids and bullies the nervous one (Ellen Corby), eventually firing her, and driving the other, who has been with Walter all his life, to quit. She keeps Walter's friends away from the home, including his best friend Billy Birkmire (Allyn Joslyn), and instead invites over stodgier, older couples whom she feels are more suited to her attitudes, and who can further her husband's career and her social aspirations. When Clare falls in love with Walter's co-worker, Wes Miller (William Bishop), Harriet puts an end to the romance with lies. When it appears Walter, a sound engineer, will receive a coveted work assignment that will require him to travel abroad without her, she sabotages the plans with treacherous lies to his boss. Eventually, everyone learns the truth about Harriet. Clare overhears Harriet admitting to Walter that she lied to sabotage Clare's relationship. As a result, Clare packs and leaves, as she would rather survive alone in the world than live with manipulative Harriet. Walter deduces that it was Harriet who convinced his boss to cancel his work assignment. As a reaction to this, and to the realization of what his life with Harriet has become, he symbolically throws off her control: he drinks straight liquor, makes himself comfortable on the pristine sofa and, when she refuses to come downstairs to discuss their situation, he intentionally smashes Harriet's most beloved household possession - a valuable Ming vase that symbolizes her control and obsession with perfection. When Harriet finally admits to Walter that she lied about the long-term maid, lied to his boss, and has lied to him throughout their marriage about her inability to have children, he walks out, leaving Harriet alone with her one true love and the only thing that she can truly control - the house.